Download 3-D Revolution: The History of Modern Stereoscopic Cinema by Ray Zone PDF

By Ray Zone

In 2009, Avatar, a 3D motion picture directed through James Cameron, grew to become the main profitable movie of all time, a technological step forward that has grossed greater than $2.5 billion around the world. Its seamless computer-generated imagery and reside motion stereo images successfully outlined the significance of 3-D to the way forward for cinema, in addition to all different at present evolving electronic monitors. even though stereoscopic cinema started within the early 19th century and exploded within the Nineteen Fifties in Hollywood, its current prestige as an everlasting style was once proven by means of Avatar's success.

3-D Revolution: The background of recent Stereoscopic Cinema strains the increase of recent 3-D know-how from Arch Oboler's Bwana satan (1952), which introduced the 50s 3D increase in Hollywood, to the rapidly-modernizing 3-D this day. Ray quarter takes a accomplished method that not just examines the expertise of the movies, but additionally investigates the enterprise, tradition, and paintings in their creation. Influencing new generations of filmmakers for many years, the evolution of 3D cinema know-how maintains to fill our theaters with summer season blockbusters and vacation megahits.

Show description

Read Online or Download 3-D Revolution: The History of Modern Stereoscopic Cinema PDF

Similar photography & video books

Convair B-58 Hustler

The mythical Convair B-58 Hustler, the most attention-grabbing bombers to arrive operational prestige, and had an visual appeal - even if designed within the Forties - that may now not glance outdated within the twenty first century. the 1st USAF delta-wing bomber was once the Mach 2 Hustler that had the functionality of a fighter plane.

Buddha

Для сайта:Мир книгДвадцать пять веков глубокое учение Будды направляло на путь просвещения свыше полутора миллиардов жизней, а также вдохновило на создание самых красивых и великолепных художественных произведений из когда-либо созданных человечеством. Джон Ортнер сфотографировал более a hundred and fifty из нихIn the twenty-five centuries because the Buddhas demise, his profound teachings and course have guided and enlightened over one and part billion lives.

Hong Kong Screenscapes: From the New Wave to the Digital Frontier

International connections and reveal options force Hong Kong screenscapes that circulation with transnational cultural creation, circulate and intake, highlighting thoughts, interactions, disjunctures, ameliorations, and ruptures therein. targeting the movie golf equipment of the Sixties and Nineteen Seventies, the successive new waves because the Nineteen Eighties and the post-handover electronic revolution, this ebook deals a well timed and fresh examine the shifts and alterations in Hong Kong's multifaceted screenscapes.

Extra info for 3-D Revolution: The History of Modern Stereoscopic Cinema

Example text

In addition to producing dual 35mm stereo films, the Spottiswoode brothers are the authors of the classic book The Theory of Stereoscopic Transmission and Its Application to the Motion Picture (1953). Two of the shorts were groundbreaking stereo animations produced by Norman McLaren with the National Film Board of Canada. Around Is Around is an impressive work of high modernism, a ten-minute film created by photographing black-and-white screen shots, slightly out of phase, off an oscilloscope and then optically printing them to twin-strip 35mm color film.

Because of the immobility of the dual camera 3D rig, Bernardt shot longer takes. “I held each shot longer in order to follow the style of this technique I was supposed to be exploiting,” the director recalled. ” Bernhardt agreed. “Yes. ” Miss Sadie Thompson was shot on location in Hawaii. To loosen up his cast and crew, Bernardt planned an evening for the company with hula dancers.

Stereoscopic images of Rawley experiencing a dream on an amusement pier, in which his memory fully returns, are highly effective. Flat rear-screen projection is combined with stereoscopic foreground imagery for a climax on a roller coaster in which Rawley exchanges gunfire with the gangsters. Man in the Dark was shot in just eleven days using a twin camera rig assembled by Columbia Studios engineer Gerald Rackett and camera department head Emil Oster. The 3-D unit used two Mitchell cameras shooting straight on without any prisms or mirrors, and produced pairs of stereo negatives that did not require subsequent reversal or optical treatment.

Download PDF sample

Rated 4.70 of 5 – based on 37 votes