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By Langford, James Warren; Langford, James Warren; Langford, Martha; Langford, John W

Martha Langford and John Langford study their father's it seems that harmless photographic adventure, revealing the complexity of either the photographs and their author. An clever and private examine the ways in which the historic and the personal are represented and remembered, a chilly warfare vacationer and His digital camera levels the relations slide express as you may have by no means obvious it before.

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US army colonel Boyd Branson gets off two good cracks at his fellow Americans. ”41 2 Unwilling Cold War Players T HE A F RICA N TOUR The much heralded Overseas Tours took place in the last quarter of the college year. ndc directing staff divided the students into two groups, one syndicate destined for Africa and Europe, the other covering the Middle East and Asia, and also appointed their military and civilian leaders. The Afro-European section left Canada on 15 April and was slated to return home on 7 June.

US army colonel Boyd Branson gets off two good cracks at his fellow Americans. ”41 2 Unwilling Cold War Players T HE A F RICA N TOUR The much heralded Overseas Tours took place in the last quarter of the college year. ndc directing staff divided the students into two groups, one syndicate destined for Africa and Europe, the other covering the Middle East and Asia, and also appointed their military and civilian leaders. The Afro-European section left Canada on 15 April and was slated to return home on 7 June.

Reprinted with permission. ”101 Lutz and Collins contrast the magazine’s style with photojournalism’s “decisive” moments. 102 Lutz and Collins’s observations are confirmed when we compare National Geographic’s and LIFE ’s representations of Nigeria, a place also visited by ndc students on their Afro-European Tour. Published in September 1956, the National Geographic story “Progress and Pageantry in Changing Nigeria” combines snapshots taken by the writer, W. Robert Moore, with photojournalism and stock images from the agencies (fig.

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