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Gray's classic, The Forms of Hebrew Poetry (Freedman 1980d). This Prolegomenon provided Freedman with a forum to set forth many of his own conclusions about the nature of Hebrew verse. Among Freedman's most basic assertions is that, contrary to Gray and many others, the most fundamental characteristic of Hebrew verse is not parallelism, but rhythm (Freedman 1980d, 37). His primary argument to support of this view is the fact that there are many cola which exhibit little or no parallelism at all.

His is one of the first of a new series of articles investigating the nature of Ugaritic verse. The emphasis upon semantic parallelism is, at the same time, its strength and weakness. He has shown both the pervasive presence of semantic parallelism, but in so doing he highlights the need for more comprehensive analyses which include those elements which are not semantically parallel. Another criticism of Parker is that he does not provide a clear definition of his basic unit of verse, the "element".

Pardee has shown that they can and should be used in concert. Further, Pardee has demonstrated the need for greater precision in categorizing the various aspects of parallelism. He has also sought to broaden the focus of analysis from a myopic concern with individual verses to the realization that parallelism affects every level of a poem. Finally, Pardee has shown that analysis of verse is a complex endeavor, involving a variety of methods and skills. Whereas studies of meter and word-pairs have reached something of an impasse in recent years, the study of parallelism in Ugaritic and biblical verse is, in many 43 respects, still in its infancy.

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