By Alan Lomax, John A. Lomax
Song and lyrics for over two hundred songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad guy Ballad, Jesse James, Down within the Valley, The undergo within the Hill, Shortenin' Bread, The Ballad of Davy Crockett, and lots of extra.
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Extra resources for American Ballads and Folk Songs (Dover Books on Music)
They 19 20 Marx, Communist, 61-62. Marx, Communist, 86. Caps are Marx‘s. 38 prepared to be part of an insurrection that would take place in the belly of the capitalist beast– entertainment as information and revolution. Friedrich Nietzsche ―He dreamed a god up, and called it Christianity, God is dead and no one cares. ‖ Nine Inch Nails, ―Heresy‖ from The Downward Spiral (1994) The lyrics of the 1994 Nine Inch Nails song ―Heresy‖ describe a man who feels condemned by society‘s values. Yet he is aware of the lies that those moral values are built upon, and the system of control they continue to propagate.
This mindset is closely tied to the ideas of neo-Marxist cultural theorists such as Adorno who would suggest that the popular contains views that are watered-down and predigested for consumption by the masses. As such, the avant-garde defines itself as an artistic culture in which members can willingly challenge the status quo to see past the belief system of 8 Michael Levenson, introduction to The Cambridge Companion to Modernism, ed. Michael Levenson (Cambridge: Cambridge University Press, 1999), 4.
Yeats; philosophical texts such as Also Sprach Zarathustra by Friedrich Nietzsche, The Communist Manifesto by Karl Marx and Friedrich Engels, and others such as Orientalism by Edward Said, On the Origin of the Species by Charles Darwin, and the classic graphic novel The Watchmen by Allan Moore. This web of references, combined with the science fiction story of Year Zero, exemplifies how the Industrial music subculture continually constructs a particular history for itself. The creation of that history is an active process that carries on from one generation of Industrial music to the next, yet builds ties that connect to particular modernist concepts and ideologies.